Reflections on Film

These essays are film reviews, but not in the usual sense of scores or quick takes. Each piece approaches a film with care, balancing criticism with reflection. Craft elements—cinematography, editing, performances, structure—are part of the discussion, but so are the questions a film raises and the impressions it leaves behind.

The aim is not to chase novelty or pass judgment at speed. Instead, these reviews linger, considering what a film tries to do, how well it achieves it, and why it matters. Some reviews move deeply into technique; others lean into theme and resonance. All are complete engagements with the work, written to be read slowly.

There is no single path through them. Taken together, they form a growing archive: criticism that looks beyond verdicts, toward what remains when the credits have ended.

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• Alien (1979) — Silence, Survival, and the Corridors of Fear
• Columbus (2017) — Stillness, Distance, and the Spaces Between
• The Witch (2015) — Original sin, ancestral fear, and the cost of comfort
• Past Lives (2023) — memory, migration, and the lives we almost lived
• Death of a Unicorn (2025) — satire, myth, and what remains sacred
• Mickey 17 (2025) — multiplicity, memory, and the hunger to be loved